One of the best parts about this stage of life is having the time, finally, to concentrate on what we love doing; the ability to explore new avenues and discover new passions. And if you’re not one of ‘those that can’, it’s just as pleasurable to appreciate the passionate endeavors of others, stand in their shade, and lap up their success.
I was invited to view an art exhibition the other night. Three female artists (Jane Park, Laurie McKern, and Petra Pinn), and one male artist, Evert Ploeg (whose work is represented at the National Portrait Gallery in Canberra), get together weekly, on Monday Nights, (hence the name of the exhibition), to paint the naked female form. The exhibition included framed pieces, canvases as well as sketches of their experimentation and exploration of the process.
Those of us that can’t draw or paint stood back and secretly wept with envy at the talent on display by the four artists, who had not only depicted the female form in all its glory and strength but had also created an intimate backdrop for the event, with a distinctly South Amercian flavor. As Jose strummed Spanish music on his guitar in the background and a gorgeous life model lit up a makeshift stage – in top hat and garters, and very little else – it was difficult not to imagine yourself in nineteenth-century Valencia.
Sadly, my purse doesn’t stretch to the price tag of real art (that’s the problem with being married to a tightarse/heathen), yet something else stopped me from my typical impulse buy compulsions, and it bothered me.
I identified it as I ummed and ahhed over whether it was appropriate for me to approach the young model to ask for her photo. Stupidly, I worried that she might think I was some seedy older woman about to exploit her, in much the same way how I sensed the old man might feel if any one of the images of strong, semi-naked females appeared on a wall at home.
Like many men, he’s not as comfortable with the naked female form, or indeed femininity, as perhaps he should be for a man of his age.
Many men associate imagery of naked women with sex, porn and desire and some struggle not to objectify it. It is an attitude that we need to change if we are to alter the culture of the abuse of women and domestic violence, and perhaps by making art such as this more accessible, we can change that attitude. Another way – of which I am a staunch supporter – is by getting more penises on the screen and in the media, and ahem, fewer under boardroom tables.
As a side note, my friend and I were reassured to spot the preponderance of lush female bush in the depictions of the younger models – a sign (we hope) that this ridiculous concept of shaving everything off down below is finally demode.
‘Perhaps that’s because the models are South American?’ she queried.
‘But isn’t that where the Brazilian originated,’ I asked her, confused.
Of course, shaving off your bush is every woman’s choice and thereby wholeheartedly approved of by feminists such as myself; the only caveat being that women are doing for their own reasons rather than for men who struggle with the distinction between real life and porn.
This piece, by Jane Park (Instagram page is at Janeparkart.com), was my favorite of the evening – possibly because it reminded me of how I look in the morning – and I seriously contemplated buying it to hang over our bed to terrify the old man. Had I been brave enough, I am certain that it would have forced him into the spare room, once and for all.